I have held back no water in its season

So, as things stand, the WordPress Categories widget supports altering sort order, post count and dropdown vs. hierarchical display. But it does not support including or excluding categories.

There is a way around this, though, while we wait for it to show up in the core code! (Everyone thank Bricksmith for suggesting this work-around.)

First, you need to download, upload and activate the php-exec plugin. This plugin allows admins to put php code in an entry or widget and have WordPress recognize it as php and execute it instead of just treating it as plain text.

Next, you go to Design > Widgets and put the Text widget where you want the Categories to appear.

Into the Text widget you paste some variation on the following code:

<li id=”categories-1″ class=”widget-categories”>
<h2 class=”widgettitle”>Categories</h2>
<ul>
<?php wp_list_categories(’orderby=name&hierarchical=true&title_li=&exclude=76,77,78,79′); ?>
</ul>
</li>

Save that and voila, you have a pseudo Categories widget!

In my own case, I wanted to have two Categories widgets, the second one including all the categories that the first one excluded, so I pasted another copy into Text right under the first, with the ID “categories-2″ and the ‘exclude’ changed to ‘include’, and edited my CSS to add #categories-2 everywhere there was a #categories-1.

Caveats: 1) I do not know if it is possible to use this for a dropdown Categories, because that requires some Javascript and I have no idea whether that can be parsed inside a Text widget. 2) What you have is actually a widget inside a widget, codewise. The Categories widget is enclosed inside the li and div of the Text widget. This may cause problems with your CSS styling, depending on how it’s written. If your nested lists look like li li { rules }, this will probably cause problems. On the bright side, if you change it to ul ul { rules } that should fix the problem.

For a full list of the variables you can adjust in wp_list_categories, see the WP documentation.

My public service post for the month.

OpenID is a nice little thing, and it allows you to log in to services you do not actually have an account with. Generally a pseudo-account is created for you under username.homeservice.com. People on, for example, LJ-code-based services can then friend your “account”, username.homeservice.com. Voila, you can read the locked posts of your friends on services that are not homeservice. If you friend them back with your pseudo-account, you will have an otherservice fpage to read them on.

That’s the sketch. Here’s the dissection.

OpenID will not let you view all of your otherservice friends’ locked posts on your homeservice flist. If your friend on otherservice has an RSS feed account at on your homeservice, locked entries will not appear there. Alas, or possibly thank goodness, considering the security issues. What OpenID will let you do is have an flist on each service in question. Each flist will let you read and comment on the locked posts of your friends.

So what you do is this.

Go ahead and log in to otherservice with OpenID; there will usually be something on the homepage telling you how, or you can just comment. When prompted by homeservice whether or not to trust otherservice with confirmation, make sure you select “Yes Always”. Don’t worry, otherservice doesn’t get your password or anything. Open up your profile page (you will have one, at least on the LJ-code-based services).

Click on the “edit your profile” link and fill in your email address.  This is extremely important.  This is how you will get replies to your OpenID comments sent to you.  If you wish, you can also select an icon for your OpenID account.

Now log out and log in again, checking any boxes you need to check for “remember me” or “keep me logged in”. Be sure your cookies are set to allow that site to remember you, if you do not normally allow that.

Friend everyone you need to (this is also important) and ask them to friend your OpenID pseudo-account back (equally important).

Now open up your otherservice flist and copy the url.

Go back to your homeservice and add that url to your link list. Repeat these steps for each otherservice flist.

Now you can click on those links and read your various flists, just like you would click on a subdivision or filter of your homeservice flist. And, because you are always logged in (be sure to check that occasionally in case you’re bumped off) you will be able to read locked posts and comment seamlessly, without having to log in or switch around.

This is how OpenID lets you have a distributed flist. It’s really multiple flists, but if you have the link right there in your sidebar, your actual reading experience will be about as simple as it always has been with a single service.

After years of watching anime in subtitles, I’m not really surprised when it takes me a few eps to get back into the swing of watching animation in my native language. I did not, however, expect what years of reading manga in translation has done to my ability to read comics in my native language!

When I read translated manga, I generally have a back-translation track running in the back of my head–a sub-routine, as it were, speculating on what the Japanese dialogue was. This is assisted, of course, by the frequency of repeating phrases and exclamations, and the way the translation community has developed some common English equivalent phrases. Under certain circumstances it’s a pretty good bet that “that person” started out as “ano kata“, and so forth.

The kicker is that this mental sub-routine keeps running when the comic in question was written in English. So I read Agatha Clay exclaiming “What?!” and, about half a second behind, there’s this mental echo of “Nani?!”.

*rueful* Like the title says: unforseen consequences.

Incidentally, everyone should go read the webcomic Girl Genius. It is delightful.

Ogata Megumi (Pharoh-First Yuugi-ou Series, Uranus-Sailor Moon, Yukito/Yue-Cardcaptor Sakura, Kurama-YuYu Hakusho): Because, for someone who doesn’t put a huge variety of expression into her voice, she’s absolutely amazing at expressing wildly different characters. And also making them hot like fire.

Onosaka Masaya (Vash-Trigun, Momoshiro-Tenipuri, Shinji-Bleach): Because he has the gift of moving from Total Spaz to Dead Serious in a breath, and that can give his characters a lot of depth. Besides which, his Dead Serious voice is also dead sexy.

Suwabe Jun’ichi (Seymore-FFX, Atobe-Tenipuri, Grimmjow-Bleach, Fuuma-X): Because he can do rude, arrogant villains and smooth, charming villains and, really, all sorts of villains and pull them off perfectly. And a good anime needs a good villain. He does pretty good heros, too, come to that. Also, incidentally, dead sexy.

Paku Romi (Ken-Digimon, Ed-Fullmetal Alchemist, Ren-Shaman King, Hitsugaya-Bleach): Because any role she does, she does with intensity. Her psychotic characters are clearly around the bend on two wheels, her short-tempered characters are clearly barrels of emotional gunpowder, her cold characters could power an industrial freezer. And husky is sexy. If you think you’re seeing a pattern, here, you’re entirely right.

Minagawa Junko (Echizen-Tenipuri, Ritsuka-Loveless): Because sexiness is its own excuse.

Takeuchi Junko (Naruto-Naruto, Gon-HunterxHunter, Takuya-Digimon): Because she does earnest characters so adorably well. I give the artists their due, but Takeuchi’s voice lends a lot of depth to the self-evident pure-heartedness of her characters.

Morikubo Shoutarou (Ginji-Getbackers, Shikamaru-Naruto, Kirihara-Tenipuri, Kadaju-Advent Children): Because he’s got a very expressive voice and a fine touch with characterization. All of his characters are wonderfully vivid.

Okiayu Ryoutarou (Byakuya-Bleach, Tezuka-Tenipuri, Dark-D.N.Angel, Shigure-Fruits Basket, Yuu-Marmalade Boy): And we’re back to the sexiness, especially when he’s doing villains. Which makes it all the more impressive that he does very good Silly, also.

Seki Toshihiko (Duo-Gundam Wing, Lui-Miene Liebe, Mousse-Ranma1/2, Legato-Trigun, Isshiki-RahXephon): Speaking of which, Seki does lovely ambiguous characters. He’s got a bit of that swoop and flex in common with Suwabe, and it makes for very expressive voice acting. He’s especially good at doing it in a subtler register.

Seki Tomokazu (Keisuke-IniD, Ryuuki-SaiMono, Ogata-Angelic Layer, Chichiri/Kouji-Fushigi Yuugi, Touya-Cardcaptor Sakura, Chiaki-Nodame Cantabile, Van-Escaflowne): Because he has the most amazing range. I mean, it’s absolutely astonishing.

Special case: Koyasu Takehito (Aya-WK, Ryousuke-IniD, Pesche-Bleach, Freyr-Matantei Loki, Sakujun-SaiMono): See, the thing here is, I only like him when he’s voicing a total fruit. I like the way he does absurd characters. This is quite likely a personal quirk and mostly due to his obvious Issues about women. Actually, I also thought he was just about right for Sakujun. He’s good at other kinds of characters; it’s just his performance there doesn’t distract me enough from snarling at him personally.

*cockeyed look at the Wikipedia 2001 article*

Noooo, I would say the lesson of HAL is not “don’t create technology you can’t understand or control”; it seems to be rather “don’t instruct your AI to do something it’s specifically programmed not to do”.

And, additionally, “any living thing, threatened with death, will go to quite great lengths to avoid it, up to and including killing the individuals that threaten it”.

DUH.

I mean, for pity’s sake.

I am also, quite frankly, dubious of 2001’s entitlement to the genre “science fiction”. It sure looks like straight-up mysticism to me. Indeed, counter science in many ways.

I want this book: Here Speeching American: A Very Strange Guide to English as It Is Garbled around the World

And you thought Engrish was bad. Examples given in the blurb:

On a Mexican bus: Keep all fours in the bus–eyes only out window

At a hotel in Vietnam: Compulsory Buffet Breakfast

At a temple in Burma: Foot Wearing Prohibited

In a Barcelona travel-agency window: Go Away

At a hotel swimming pool in France: Swimming is forbidden in the absence of the savior

That last one made me laugh until I cried.

And the moral of the story: never, ever use fangirl Japanese, because this is probably what you’d sound like to them.

[scene: Branch’s desk, faced by an empty chair]

*faint squeaking noises*

[a hand emerges from floor-wards and flails for the keyboard]

Oh dear.

[Branch hauls herself up into the desk chair, takes one look at her clipboard and collapses over the desk]

*shrieks of laughter*

*pulls self together, wipes eyes*

I just had to share this one. Lois posted it at the Baen Bar, and my spouse emailed it to me. Here, for your gratification, Why to be Careful with Spellcheck.

Puts me in mind of how a single misplaced letter vaulted a piece of fan fiction I saw the other day from mediocrity to immortality, in my mind. I mean, I was just reading along innocently, when I hit this literary caltrop… It went, in part, “The muscles in your back ripple, as you move your arms above your head; stretching, for my satisfaction more then your own. I can feel my nipples throb for your touch, my thighs are quacking. Estel, my Estel, how you tease me…”

In the department of, “If it walks like a duck…”, one presumes. “A spellchecker is a dangerous tool, Saruman.” “Why? Why should *we* fear to use it…?”

;-), L.

*sniggers*