I have held back no water in its season

Some ruminations on magic in CCS. This will likely eventually become one of a series, because a brief look around the web shows that all the extant pages, including Wikipedia, are focused exclusively on the anime. Other installations may well include “Why Clow Reed is a right selfish bastard”.

On characters: I’m fascinated by how Yue is developing in the arc I’m working on. In manga-canon, we see him respond intensely to the tiniest gestures of emotional warmth. His eyes widen, his lips part, his posture opens. It makes a poignant contrast to the way he responds to Eriol, when they’re discussing the fact that Eriol =/= Clow. During that time, Yue is frowning, his mouth is tight, his body is curled up and closed in. He looks like he’s in pain. Yet he responds quite pliantly to Eriol’s smallest touch or gesture.

You see, CLAMP can’t write coherent emotional motivation to save their souls, but they can draw it quite well. Yue reads clearly, to me, as someone who has been deeply hurt and yet still loves/values/wants the acknowledgment of the person responsible. His apparent shock at gestures of warmth or care from anyone other than Eriol/Clow speak of someone who has been completely (pathologically, really) focused on one person. He wants that singular focus and closeness back, and pushes away any other attempts at connection.

I find myself wondering about the degree of shock he shows, though. Does Yue, perhaps, feel that, having been abandoned by his One Person, he’s worthless? That he doesn’t deserve warmth and care? The occasions on which his expression softens for a moment, when the brows tip up and the eyes are a shade rounder than usual, when he seems bewildered by care, make me think so.

And the way this is manifesting in my own Yue is that he responds to Touya’s little, everyday gestures–handing him a teacup, holding out a hand to invite him to sit down–the way a more normally socialized person might respond to their first explicitly sexual contact. He gets flustered and flushed, he reaches back but hesitates, he gets warm and a little shaky. The contrast between the casualness of the gestures and the way Yue responds as if it were an intense intimacy is a little stunning.

On writing process: I suspect this Thought of the Day was rather influenced by the above. Because the metaphor that’s coming to me, for writing a story arc, is that of multiple orgasms. Each story provides its peak of realization and the satisfaction of completing it–and yet that satisfaction is almost immediately swept up into the hovering, yearning, reaching for it feeling of constructing a new story, seeking that next moment of realization.

*trips over a discontinuity*

All right, so in Card Captor Sakura, Sakura’s mother dies at age twenty-five. At this point, Sakura is three and Touya is ten (1.5.11).

Let me say that again: Touya is ten when Nadeshiko is twenty-five.

Even if we go by the grades, Touya must be at least six years older than Sakura, being a second year in high school while she is a fourth year in elementary school. The youngest he could possibly be when Nadeshiko dies is nine, even if CLAMP mistyped in volume one.

Nadeshiko married at sixteen. By the numbers, Touya would have been born either the year she married or possibly the year before.

Now, I’m willing enough to entertain CLAMP’s taste for cross-generational love, and the notion that Nadeshiko fell in love and married at sixteen. But for her to have had her first child at that age, possibly at fifteen? To possibly be having sex with her high school teacher and get pregnant and have a child at fifteen?

CLAMP, you nasty, skeevy people. I sincerely hope that was a stupid, thoughtless mistake and not a deliberate choice. The elementary school girl engaged to her teacher makes me twitch enough.

ETA: 2.1.22 Nadeshiko 27 when she dies. Definite continuity problems.

Catching up on TRC manga.

So it seems to me that Yasha and Ashura are a sort of ur-couple for CLAMP. And ur-male-couple, anyway.

(I count Ashura as male, because every time CLAMP alleges to have an “androgynous” character, that character is, visually and behaviorally, presented as male; it’s pretty unmistakable the way CLAMP draws.)

They aren’t the only pattern CLAMP uses, of course, there’s also the Freaking Scary Couple, a la Subaru and Seishirou, but Yasha and Ashura are, if I’m not mistaken, the first example of CLAMP’s most common male-couple pattern.

We have the delicate-looking, pretty one with phenomenal cosmic power, who comes with pre-filled buckets of angst and a certain number of identity issues. Other examples of this include Yukito, Kamui, Watanuki, Fai and, to an extent, Eagle Vision.

We also have the strong, silent, possibly grumpy type, who guards and protects the first one and is supernally devoted to him. Other examples include Touya, Fuuma (normal Fuuma, not Dark Kamui, he’s a Freaking Scary type and gives CLAMP two for the price of one), Doumeki, Kurogane and, to an extent, Lantis.

And, if you take out the angst and Issues, then you have Nokoru and Suoh.

Ashura and Yasha are also the most extreme examples of this pattern I can think of. While Kamui and Fai may have much the same levels of power as Ashura, I can’t think of anyone but Doumeki who even comes close to Yasha’s unswerving, unquestioning devotion, no matter what and really… Yasha wins hands down. Yasha goes beyond “devotion” into some other realm, the name of which may include “psychotic”. *loves on Yasha*

ETA: This was written before Kurogane started cutting things off; I think at this point he and Yasha may be tied.  But onward…

All of this suggests two things to me. One, CLAMP really likes semes who are sub. And two, the reason RG Veda was so far and away the best thing CLAMP wrote for so very long was that it’s their One Story and they’d already told it as best they could. They had to wait a long time before their style matured enough to tell it any better.

You know, the magnitude of Fai’s shock in 125 makes me think that the offer to kill was somehow between him and Ashura-ou. Knowing RG Veda, I’m inclined to suspect that Fai was supposed to kill his king, not just seal him, or something like that. It would be in keeping with CLAMP’s taste for parallels. It would also help explain why he finally stops protesting.

… because you know they tell the same story every time.

1. The villain probably isn’t. No matter how many horrible, cruel things he does, it always turns out that he’s acting for higher necessity or love (frequently twisted) or some such. Female villains, however, are more likely to actually be villains and, in fact, incarnations of evil and darkness.

2. If it’s small and cute, it’s probably an avatar of chaos and destruction.

3. At least two thirds of the love affairs will be tragic, involving the partners eternally parted or only requited in death or some such. The primary love affair has about a three quarters chance of succeeding, but only after buckets of angst.

4. There will be at least one, and more likely two or three, cross-generational love affairs. These have the best chance of succeeding, even outweighing the primary love affairs. If the primary affair is cross-generational, you can be pretty well assured it will prosper.

5. The world will be destroyed, or nearly. The likelihood of an eleventh-hour save with a TON of mess to clean up and emotional scarring all around is about three quarters.

6. The only way to deal with a shadow-self is to accept it, rather than fight it.

7. Pure-heartedness conquers all. Though it usually gets severely trodden on in the process.

Based on the above, I’m expecting that Fuuma wants to be killed by Kamui and is trying to provoke him into it, but that the overshadowing dark Kamui will be reabsorbed just in time for the sun to rise over a world in ruins, running with the blood of absolutely everyone else, probably including Fuuma himself, but not actually ended because Kamui managed at the last minute to save it. Not that it will do him any good to have done so.

Remind me again why I read these people?